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#hopeandhealingcanada
Tracey-Mae Chambers

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Her Story

Tracey-Mae Chambers is a Métis artist and a member of the Métis Nation of Ontario. Her family is from, and some still reside, in the traditional Métis community in Sault Ste. Marie and Penetanguishene, Ontario. She is traveling across Canada and the United States creating site specific art installations at residential school historical sites, cultural centres, museums, art galleries and other public spaces.

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The #hopeandhealingcanada project created by Métis artist Tracey-Mae Chambers consists of a series of site specific art installations across Canada. Each is made using crochet, knit, and woven red yarns. This ongoing body of work is used to illustrate connections between Indigenous, Inuit, and Métis peoples with Canadians, while also addressing the decolonization of public spaces. Once dismantled, the work is returned to the artist and will be  reworked and repurposed at another site somewhere else in the country. The stories gathered from each participating venue will culminate in a book and traveling exhibition. 

Learn more

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We acknowledge the traditional lands and territories of the Indigenous Peoples who have lived on these lands and taken care of them since time immemorial. We respectfully acknowledge that we are on Treaty 6 territory, lands which are known as Amiskwaciy, Cree for “The Beaver Hills”. This region has been important for the Néhiyawak, Niitsitapi, Tsuut’ina, Anishinaabe, Nakota Sioux, and later the Métis. Many other tribes, including the Inuit, traveled and harvested on these lands. We acknowledge their collective stewardship. We are all Treaty People living together on these lands and we remain responsible to one another, the land, its resources, and to Treaty 6. We make this acknowledgement as an act of reconciliation.

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Funding supported  by

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